Celcom CC BY 3.0 Wikipedia Commons
From drills, Stevick moves to memorisation: love those traces of the audiolingual approach! To memorise dialogues, he suggests using an interesting technique called ‘Memorising in 3D”. It’s done with a set of small objects, e.g. Cuisenaire rods, and there is a whole range of activities to choose from (I’ve reduced it and picked my favourites: you can go to the book for more):
- Build a copy of the dialogue with the rods together with the students, choosing different lengths and colours depending on the word.
- Build a copy of the dialogue or sentence from the end backward.
- Point at a word at a time and call out a student.
- Have students put words into phrases or ‘single breath-groups’.
- Remove one word/rod at a time and write it on the board, until the whole dialogue is on the board.
- Remove one rod at a time and have the students reconstruct the whole dialogue.
And the benefits are: better concentration, teacher’s silence, visual impact, better memorisation… Nice, isn’t it? It’s good to go back to older sources sometimes.
After my epic journey into the land of online teaching, I really want to do something tangible 🙂 How about Play-Doh from Martha Ramirez? She has excellent advice about using it with teens and adults: for metaphors about self-development, for introductions, for practising language (in flip stations, of course!). Who ever said that young learner teaching techniques can’t be adapted to the adult classroom?
Here is a wonderful account of a series of lessons on creative writing and literacy: could be useful for those projects with lower secondaries 🙂 The author was inspired by a picture book called ‘Flotsam’ and brought in all kinds of exciting prompts for the children: ‘flotsam trays’ with objects that could characterise their imaginary owners; graphic organisers (‘investigation grids’) for the learners to practise writing and thinking skills; a real old camera; musical instruments and eBay advert templates. What a treat!
Bixby is the name of my favourite virtual assistant, but you might prefer Siri or, like Josh Underwood, Alexa. Whatever their name, AI virtual assistants are a fact of life and they can help us out in the classroom. If you need more convincing (or are simply looking for fresh ideas), just check out Josh’s amazing IATEFL poster page with links, references and a video where he explains how he uses AI assistants with primary and secondary students to encourage speaking, help with project work, save teacher time for more meaningful interaction… The list of possibilities is (virtually) endless! When do we start?
Here’s an unusual take on students’ notebooks: why not have movable parts and little pockets there? Probably only applicable to Secondaries, but it all depends on how you sell the idea to the students. I still haven’t decided if they are better than graphic organisers, apart from the obvious entertainment value. I like the kinaesthetic element about them, but I’m not sure how much language they would produce. Still, such a great idea… What do you think?
Here is a great post about ‘the working wall’ – a classroom display that focuses on tracking the development of students’ skills (e.g. writing). There are great illustrations and explanations, as well as the rationale for using a display like this: “An ever-evolving working wall is a fantastic way to model great writing, amazing vocabulary and to celebrate children’s writing journey.” The author recommends adding something to it daily, but also offers time-saving tips and ways to help learners interact with the display.
Now, you may be thinking: didn’t you write some time ago about too much decoration in classrooms? True. On the other hand, if a display like this helps learning and creates a stronger sense of progress, I for one am ready to compromise (or have a movable poster that can enter the classroom and leave it with a particular group of students).
What about you, would you use it in an ELT classroom, when you and the learners don’t really have a space of your own?
For a warm and fuzzy feeling from your Sunday reading, try this nice post from OUP about puppets in the classroom. I like how the author (Kathryn Harper) classifies all the possible uses, from lowering the affective filter to acting out stories and dialogues. By the way, I’m a big fan of soft toys and have been known to use them even with young adults (very ironically, of course! 🙂 ), but I have found something new in this post to experiment with.
Do you often use puppets or cuddly toys? Does it really help, and how?